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| Madeleine Carroll | |
| Brian Aherne | |
| Louis Hayward |
William Essex wants his son Oliver to have the advantages he didn't have growing up -- and perhaps that's part of the problem. Instead of being grateful for his resources, Oliver squanders them, committing petty crime, deceiving others and doing whatever he can to torment his indulgent father. But William reaches the limit of his parental benevolence when Oliver makes a play for Livia Vaynol, the woman William himself loves.
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